Female, non-binary, and gender nonconforming composers continue to make up the small minority of professional composers who are consistently performed, recorded and celebrated. We experience a lack of role models and a lack of encouragement to compose at an early age. To address this gender imbalance, Luna Composition Lab provides aspiring young female, non-binary, and gender nonconforming composers (ages 12-18) with a year of one-on-one mentorship, performance opportunities, and high-quality recordings of their work. Learn more about Luna Composition Lab's broad and ever-expanding definition of “composer.”
MENTORSHIP, PERFORMANCE & FESTIVAL
Each year, Fellows are selected from across the country and paired with acclaimed female, non-binary, and gender nonconforming composers who act as individual Mentors. Fellows work with Mentors via biweekly lessons on online platforms to create a new work that will premiere in New York City. In the fall, Mentors guide the Fellows through the early stages of exploring a new sonic landscape that will develop into a piece, including sketches, conversations, directed listening, and score study. Over the winter, lessons shift to prioritize the Fellow’s new composition. During this time Fellows hear the sketches of their work realized through a series of workshops with NYC’s finest young musicians, who hail from Kaufman Music Center’s Face the Music teen new music program and Special Music School High School along with Juilliard Pre-College, Mannes Prep at The New School’s Open Campus and the Manhattan School of Music Pre-College.
Above left: 2019-20 Fellows participate in a masterclass with Caroline Shaw & Nathalie Joachim via Zoom
Above right: 2017-18 Fellow Carolina Bragg performs
The season culminates in a weeklong festival in New York City, which includes the world premiere performance of the Fellows’ work in addition to attending performances, masterclasses, workshops, backstage tours, concerts, and networking events. Previous seasons have included masterclasses with composers Du Yun, Julia Wolfe, Sarah Hennies, Caroline Shaw, Nathalie Joachim, Jeanine Tesori, Anna Meredith, and Tania León, oboist Toyin Spellman-Diaz, vocalist Breanna Sinclaire, violinist Jennifer Koh and harpist Ashley Jackson; meetings with soprano Renée Fleming, members of yMusic and the International Contemporary Ensemble; and workshops with leaders in the arts from G. Schirmer, Inc, National Sawdust, The Kennedy Center, the Metropolitan Opera, and more. Explore our current season.
2018-19 Fellows participate in masterclasses with Toyin Spellman-Diaz (above left) & Jennifer Koh (above right)
ADVENTURES IN SOUND: BEGINNING COMPOSITION
Beginning in the 2021–2022 season, in addition to our established Fellowship program, Luna Lab will now offer a composition course, Adventures in Sound: Beginning Composition. Adventures in Sound is a two-semester course for students who might not be ready for a Luna Lab Fellowship but are interested in exploring how to create music and are just beginning their compositional journey. This may include students who have created music but not yet written a completely notated piece or students who are looking to expand their compositional palette. The first semester focuses on notation and basic music theory and the second semester focuses on applied and hands-on compositional practices including writing for instruments, film, installations, and beyond. Students who do not need the notation and theory support may be able to skip the first semester. The course will meet twice a month on Thursday evenings at 7 PM (Eastern) via an online platform. For more information on eligibility and how to apply, see here.
Now in its sixth season, Luna Composition Lab is a platform for a successful and well-balanced career in the arts. Following their mentorship year, Fellows enter an ever-expanding network of alumni across the country. Alumni have attended composition programs at Rice University, the Jacobs School of Music at Indiana University, the University of Southern California, Mannes School of Music, and the Curtis Institute of Music, and have been commissioned to compose for the Saint Paul Chamber Orchestra, Opera Omaha, the Louisville Symphony, and more. Learn more about our Alumni.
Luna Lab Alumni meet up at Rice University during college auditions
Bergen International Festival
BIT20 Ensemble (Bergen, Norway)
G. Schirmer, Inc.
International Contemporary Ensemble
The Juilliard School Pre-College
Los Angeles Chamber Orchestra
The Metropolitan Opera
Mannes Prep at The New School’s Open Campus
Manhattan School of Music Pre-College
New Amsterdam Records
New York Philharmonic's Very Young Composers Program
Tuition covers a small part of the total cost per Fellow to run Luna Lab, and remaining costs are covered by our generous funders. Luna Composition Lab is made possible, in part, by the Augustine Foundation, Janet Bragg, Cheswatyr Foundation, The Hearst Foundations, Dinah Jacobs, The William D. and Dr. Sally C. Johnson Family Foundation, The Patrina Foundation, James R. Rosenfield, the Susan and Conrad De Jong Fund of the Santa Fe Community Foundation, the Virginia B. Toulmin Foundation, Bradley A. Vernatter, and The Wise Family Charitable Foundation.
2016-17 Fellows met with generous funders after the final performance
Luna Lab recognizes that we live in a society characterized by a complex web of inequities – racism, sexism, homophobia, classism and ableism among them. All of these forms of discrimination are intolerable, and we acknowledge the many ways they contribute to inequality. Luna Lab has determined that we must focus our efforts to heighten our effectiveness and therefore our current priority is providing an opportunity for applicants who self-identify as female, non-binary or gender non-conforming. (Thank you, Grantmakers In the Arts.)